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SIL Open Font License v1.10

Planet Asia goes all Black Dynamite on his latest release, Black Belt Theatre. Anchored in his appreciation for Kung-Fu flicks, littered with comedic injections and bombastic displays of controlled aggression – it’s like the Fresno-native put on a black leather jacket, a ’70s-era afro with matching mustache, and a vendetta against Anaconda Malt Liquor before stepping into the studio. Following the success of his major label debut, good kid, m.A.A.d. City, in 2012, the rapper Kendrick Lamar's long-awaited follow-up, To Pimp a Butterfly (TDE/ Aftermath/ Interscope) is about carrying the weight of that clarity: What. Planet Asia goes all Black Dynamite on his latest release, Black Belt Theatre. Anchored in his appreciation for Kung-Fu flicks, littered with comedic injections and bombastic displays of controlled aggression – it’s like the Fresno-native put on a black leather jacket, a ’70s-era afro with matching mustache, and a vendetta against Anaconda Malt Liquor before stepping into the studio.

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This license can also be found at this permalink: https://www.fontsquirrel.com/license/playfair-display

Copyright (c) 2010-2012 by Claus Eggers Sørensen (es@forthehearts.net), with Reserved Font Name ‘Playfair’

This Font Software is licensed under the SIL Open Font License, Version 1.1.
This license is copied below, and is also available with a FAQ at: http://scripts.sil.org/OFL

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SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
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PREAMBLE
The goals of the Open Font License (OFL) are to stimulate worldwide development of collaborative font projects, to support the font creation efforts of academic and linguistic communities, and to provide a free and open framework in which fonts may be shared and improved in partnership with others.

The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works. The fonts and derivatives, however, cannot be released under any other type of license. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives.

DEFINITIONS
“Font Software” refers to the set of files released by the Copyright Holder(s) under this license and clearly marked as such. This may include source files, build scripts and documentation.

“Reserved Font Name” refers to any names specified as such after the copyright statement(s).

“Original Version” refers to the collection of Font Software components as distributed by the Copyright Holder(s).

“Modified Version” refers to any derivative made by adding to, deleting, or substituting—in part or in whole—any of the components of the Original Version, by changing formats or by porting the Font Software to a new environment.

“Author” refers to any designer, engineer, programmer, technical writer or other person who contributed to the Font Software.

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Permission is hereby granted, free of charge, to any person obtaining a copy of the Font Software, to use, study, copy, merge, embed, modify, redistribute, and sell modified and unmodified copies of the Font Software, subject to the following conditions:

1) Neither the Font Software nor any of its individual components, in Original or Modified Versions, may be sold by itself.

2) Original or Modified Versions of the Font Software may be bundled, redistributed and/or sold with any software, provided that each copy contains the above copyright notice and this license. These can be included either as stand-alone text files, human-readable headers or in the appropriate machine-readable metadata fields within text or binary files as long as those fields can be easily viewed by the user.

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3) No Modified Version of the Font Software may use the Reserved Font Name(s) unless explicit written permission is granted by the corresponding Copyright Holder. This restriction only applies to the primary font name as presented to the users.

4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font Software shall not be used to promote, endorse or advertise any Modified Version, except to acknowledge the contribution(s) of the Copyright Holder(s) and the Author(s) or with their explicit written permission.

5) The Font Software, modified or unmodified, in part or in whole, must be distributed entirely under this license, and must not be distributed under any other license. The requirement for fonts to remain under this license does not apply to any document created using the Font Software.

TERMINATION
This license becomes null and void if any of the above conditions are not met.

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THE FONT SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM OTHER DEALINGS IN THE FONT SOFTWARE.

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Kendrick Lamar
Growing up in the merciless city that is Compton, California, it wasn't long before 23 year-old Kendrick Lamar, formerly known as K. Dot, would become acquainted with the harsh realities of the world. Sheltered by no means, the emcee was exposed to a lifestyle commonly adopted in the inner city. However, this exposure didn't influence his character in a way that on-lookers would expect. WIth the wisdom from his father, Kendrick had a balance in his life that many of his childhood peers were missing. It is this balance that is responsible for his untold story of 'Good Kid, Mad City,' the life of young black males trying to escape the influences of Compton. During his upbringing, Kendrick was constantly surrounded by an eclectic range of music. Lending his ear to R&B masters such as the Isley Brothers as well as Hip-Hop legends like Tha Dogg Pound, which helped prepare him for the opportunities that would one day arise in the music industry. At age 16 Kendrick released his first mixtape Y.H.N.I.C., creating a buzz in his hometown and garnering the attention of TopDawg Entertainment's CEO. From then on, Kendrick worked to perfect his skill under TopDawg, releasing four new projects in a five year span; Training Day, No Sleep Till NYC, The Kendrick Lamar EP and his most recent project The Kendrick Lamar OD which received praise from some of the most respected online music sources. Additionally, he has released multiple tracks under the group name Black Hippy with fellow TopDawg counterparts Jay Rock, Schoolboy Q and Ab-Soul. Through these efforts Kendrick was able to showcase to the world his unparalleled ability and humorous word play. Kendrick's handwork and unmatched talent has allowed him to work with a wide range of respected music vets such as The Game, Lil Wayne, Snoop Dogg, Little Brother, Jay Rock, DJ Quik, Scott Storch and Cool & Dre. He is currently working on his debut album, and alongside legendary producer Dr. Dre on his highly anticipated upcoming release Detox.

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